Lillingtons - Can Anybody Hear Me (A Tribute To Enemy You)Vinyl LP pressing. The Lillingtons and Enemy You have a history that goes back a quarter of a century. You won't find that in today's punk scene where there's so much competition and grubbing for clout on social media, but these bands are binary stars from a bygone era. The two respective singers started out as pen pals (yes, using actual letters and stamps!) and went on to be songwriting contemporaries and labelmates on Lookout and Red Scare. In the

The Wheelie King

Twenty years separate Johannes Brahms's two sonatas for cello and piano - a nice interlude allowing us to hear the evolution and scope of his compositional style: dramatic

the dramatic quality of the upper register and the instrument's directness of communication

real-life videogame where innocent people become targets

which were intended for specific occasions

The repertoire spans from a 14th-century estampie - a renaissance dance - to Chiel Meijering's Sanctus

comforting melodies-from the heavenly country waltz and cosmic slide guitar on "Oh Then Then" to the gentle fingerpicked guitar and string swells of the closing ballad "Not Love

a compilation that focused mostly on the Tanzanian capital's Sisso Studios

dibacardi and others

a parody of the Nibelungenlied

I went to the Blue Note in Chicago

In Real Life was originally conceived by composer Robert Paterson and lyricist and librettist David Cote as a set of dating app songs for a soprano and piano called In Real Life (retitled In Real Life I)